Here, you see a glimpse of the lifestyle of the gentry from the late 19th and early 20th centuries. This was the final room in the manor wing reserved for the owners; it was adorned with decorative wall paintings (a small fragment was revealed during the manor’s restoration between 1996 and 2004). In the corner stands an ornate fireplace made of green glazed tiles featuring floral ornamentation, complete with its original metal grate and cover. The tiles were custom-made. This room also houses the only surviving original item from the manor—a small round table with a meticulously crafted lace doily—as well as a jewelry box belonging to the daughters of the manor owners. The table was preserved by Ona Starkutė, the niece of the last owner, Adomas Vilėniškis; after the property was nationalized, she took the table to her own home in the village of Adomynė.

Hanging on the wall within a small oak-framed cabinet is a piece titled „Altar of the Holy Name and Sick-Call Kit”—a rarity in Lithuania. It consists of two parts: the upper niche behind the glass displays a chalk figurine of the Pietà, while the lower section features a copy of Leonardo da Vinci’s world-famous painting *The Last Supper*, accompanied by the inscription „Blessed be the name of the Lord.” By removing the scrolled candle holders from the cabinet and lighting blessed candles, the piece transforms into a small altar. Here, one also finds a prayer book, a bottle of holy water, a silver spoon, a small bell, and a candle snuffer. These items are used only when a person is departing this earthly world; this „Image of a Happy Passing” is not used for any other occasion.

An old wardrobe holds garments from the era of the manor’s noblewomen, alongside mannequins dressed in aristocratic attire tailored to the fashions of that time. These are used to represent the manor during events and when welcoming distinguished guests to Adomynė.